For sale: A charming town house available to own. The dim
lighting makes this small space romantic and cozy. Low cost with newly re-done
floors! We also have for sale, a charming country manor home. This one is a bit
of a fixer upper. This giant estate on lots of land was a prior residence of
the esteemed Usher family. With a little bit of TLC this one will be a great
get away for the whole family. The last
item that will be for sale is the building that housed The Opera Populare. This
opera house was once a fully functioning opera house for all the latest and
greatest to be debuted. This one comes complete with an auction of all the
artifacts left from its heyday as a music hall in a grand estate sale. Though
these abandoned properties may seem shrouded in mystery, it is this fascinating
mystique that gives these properties such an eccentric charm!
Wouldn't this be a fantastic add? Oh the subtle details that
are left out of descriptions sometimes. You know things like former mayhem,
subterfuge, and a murder most foul. Well, as you may have guessed I’m hinting
at, the horror stories of Poe and the tale of The Phantom of the Opera have a lot in common. First is the
modernist Gothic element that is apparent in the two. With the stories of Poe
there are the elements of light and dark, murder, deformity, decay, obsession
and a hint of the unhinged. In Phantom there is … all of the exact same elements.
Fancy that! For these comparisons I’m going to focus mainly on The Tell-tale heart when it comes to Poe,
firstly because we discussed it in class, and secondly because I’m incredibly
fond of it. The Fall of the House of
Usher would be sufficiently mysterious and dreary for our purposes, but I
find it a bit dull.
The next phenomenon that connects these two cryptic tales is
obsession. Both The Phantom and The Narrator have obsessive personalities. They
both have that one thing that they think they need more than anything else. The
reason for this of course, is because they are both off their rockers. I’m
sorry, I love both of these characters but they are both mildly unhinged if not
full blown crazy. The narrator of The Tell-tale Heart is obsessed with the eye
of the old man and this causes him to become paranoid. Here we are let into his
mind. So much worry and careful plotting devoted to one little act of murder.
The Phantom on the other hand is obsessed with a woman, Christine. Here too we
get the same feelings of obsession and fixation, but also paranoia. The Phantom
is paranoid that the world hates him and that he is not worthy. He also
however, does not let this hinder his ultimate plot.
Tragically both of these characters are foiled in their endeavors.
Though they both accomplish what they want, i.e. a murder and a kidnapping,
neither gets away with their scheming. The Narrator commits his murder, and then
focuses on slyly getting away with his cunning homicide. He however is gotten
the better of by his paranoia. The Phantom gets the girl, just like he wants.
However, he is worried that she doesn't actually love him and he too lets his
paranoia foil all his plans (though I admit this one may be more justified,
whatever, he just needs a hug.) So, in the end both plots are vanquished
through a little insecurity… and just maybe a dash of lunacy.
In the end, these stories have a scary amount of similarity.
Who would have thought that two stories considered so different would have so
much in common. I think the only real thing keeping this comparison from going
all the way is the fact that The Phantom
of the Opera is ensconced in music. However, I imagine that it would be
really awesome if The Tell-tale Heart
had its own musical soundtrack (done by Danny Elfman of course {he writes really
creepy and awesome music just f.y.i.}.) Also, tell-tale heart is also missing
the element of a jealous boyfriend that Phantom has going. That would add quite
the monkey-wrench into this classic tale of horror. Could you imagine?
--Spot reserved--
ReplyDeleteVery interesting approach to a blog because it sounds like you are a real estate agent/broker, even though it may not be the best time to be in the biz. Lol “once fully functioning.” I think another Poe element is the supernatural…but maybe that isn’t in Phantom. I link the sole eye with the modernist tech of fragmentation. The eye is also dehumanizing and relates to Eliot’s poem in which the woman/women are dehumanized, and figuratively chopped up into pieces esp. eyes and white arms. I think the division of body parts has a fetish flare to it as well as a Romantic grotesqueness, and perhaps these two are linked. I don’t think a gnarled eye means a twisted soul—look at Harry Potter. Mad eye Moody is not really twisted at all—he is a member of the Order of the Phoenix. I see there is a common theme of houses being evil. In Tell-tale Heart, the murder occurs in the house. In Poe, the scariness occurs in the house. In the wallpaper story, it is the houses wallpaper and the room itself in the house that are scary. In Simple Heart, there is that creepy, “taxidermized” (not that is NOT a word; I warn you) parrot. In the Metamorphosis, Gregor turns into a bug in the house. In Ode to a Nightingale and Ode to a Grecian Urn, no creepy stuff happens but that is only because no one is in a house (I am so smart and clever). In Eliot’s poem, there is that creepy fog circling the house. In Faust, the mother dies in the house. In Harry Potter, there is that haunted shack and that creepy slave Dobby-thing in the house of Black. Harry Potter’s parents are killed by the snake guy in a house. Ron’s house gets destroyed by Death Eaters who eat death. But I do agree Moody’s blue eye is similar to that guy you talk about, and all these guys’ eyes are creepy and add to the Gothic flavor. I am confused about the “no hatred” thing you talk about. Do you mean the reader does or doesn’t feel hatred or are you talking about the aura of the play or of the characters’ emotions/feelings toward their victims? I tie the obsession thing to Faust, who thinks he is totally the most strivingest (That is NOT a word either!) striver there ever was. I think he is not depicted as being crazy at least at many points in the novel, although I do think he is crazy when he tries to kill himself. I think this craziness for short periods of time occurs in Tell-tale Heart also because the killer seems calm and composed at many points but (now going off on Enlightenment tangent) this rationality and categorizing (stated previously in this response) is in fact what a common theme was in the Enlightenment era, so I think this piece is a statement against that era because reason can lead people to do very bad and immoral things like murder/giving yourself up to the popos (actually this is more of a stupid thing not an immoral or bad thing because it is moral and not bad at least according to the normative notions of morality). Great work! What a grand job. Kudos to you. Very nice.
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